Jumat, 27 Desember 2013

[D436.Ebook] PDF Ebook Georgia O'Keefe Art and LettersFrom National Gallery of Art/Bulfinch

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Georgia O'Keefe  Art and LettersFrom National Gallery of Art/Bulfinch

  • Sales Rank: #10637008 in Books
  • Published on: 1989
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Binding: Unknown Binding

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Kamis, 26 Desember 2013

[R557.Ebook] Ebook Free Return of the Bird Tribes, by Ken Carey

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Return of the Bird Tribes, by Ken Carey

'Ken Carey is one of the greatest living teachers… Read him, and you'll have hope.'
MARIANNE WILLIAMSON

Exploring the transformative impact of Native American spirituality on contemporary events, this is the third book in Ken Carey's be

  • Sales Rank: #102129 in Books
  • Published on: 1991-06-07
  • Released on: 1991-06-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .55" w x 5.31" l, .47 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Native Americans
  • Native American myths & soirituality

About the Author

Ken Carey is the author of several books, including The Starseed Transmissions, Return of the Bird Tribes, and Flat Rock Journal.

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0 of 0 people found the following review helpful.
One Star
By jjcopper
Could not for the life of me figure this out.

0 of 0 people found the following review helpful.
Five Stars
By Bluenile47
Great Read; thanks.

18 of 18 people found the following review helpful.
Magnificence on the wings of the Muse
By Uber Duck
This is the kind of book you read in front of a roaring fire when you're snowed in for days. It makes you feel warm inside and it takes you away into the spirit world that calls your name and tells you all this ain't all that.
This is an older title but it's message is timeless. If you're looking to buy a book that can change your mind about the stress of the everyday, this is it.
We're all spirits having a human experience. We are not Nations, we are not religious differences. We are not racial bias, sexual discrimination or hate. We are teachers. Showing each other who we are on the inside, after journeying to that place, in that moment in this life, where we meet together and live what we've learned and what we have to teach.

That's what this book says in so many words.
And in so many more you'll read for yourself.

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Minggu, 22 Desember 2013

[R606.Ebook] Get Free Ebook What Ho, Magic!, by Tanya Huff

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What Ho, Magic!, by Tanya Huff

Tanya Huff, the acclaimed writer of the Blood and Kigh series, is also a fantastic short story writer. What Ho, Magic! is a collection of fifteen of Tanya's short stories: "I'll Be Home for Christmas" "Word of Honor" "Shing Li-ung", "First Love, Last Love" "The Harder They Fall" "February Thaw" "The Chase is On" "A Debt Unpaid" "Symbols are a Percussion Instrument" "Underground" "A Midsummer Night's Dream Team" Four stories featuring Vicki, Henry, and Mike from her Blood series: "This Town Ain't Big Enough" "What Manner of Man" "The Cards Also Say" "The Vengeful Spirit of Lake Nepeakea". This is also the first printing of her new novella: "The Vengeful Spirit of Lake Nepeaka". With an introduction to the book by Michelle Sagara West.

  • Sales Rank: #1981256 in Books
  • Brand: Brand: Meisha Merlin Publishing, Inc.
  • Published on: 1999-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: .83" h x 6.02" w x 8.44" l,
  • Binding: Paperback
  • 432 pages
Features
  • Used Book in Good Condition

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14 of 15 people found the following review helpful.
Magic, Space Opera, Horror and more!
By A Customer
What Ho, Magic! is the first of what is hopefully several collections of short stories by Tanya Huff. There are stories of quiet, haunting horror; stories of magic and of mystery; and even a wonderfully tongue-in-cheek space opera story. This collection shows the breadth of Huff's skills, and she proves that she is quite capable of delivering a mystery with a private detective turned vampire, or an attack of a foot-and-a-half long dragon, or a tale of ghosts in the subway that will incite feelings of slight claustrophobic for a day or two.
Her characters are strong and entirely human; well, the vampire *was* a human at one point. In the story "Shing Li-Ung," Huff tells a tale of a sister and brother finding their heritage in the melting pot of cultures in modern Toronto. "The Chase is On" tells us of a starship captain, most emphatically *not* a smuggler, but she does occasionally stray on the odd side of the law. Huff even brings magic into the sports arena with the delightful and thought-provoking "A Midsummer Night's Dream Team." High Elves playing basketball? Tolkien would have conniptions--or laugh his head off in approval.

49 of 50 people found the following review helpful.
Great Short Story Collection!
By mayfayre
So far, I haven't read a book by Tanya Huff that I haven't enjoyed, and this collection is no exception. It contains 15 of her short stories, and there's not a bad one in the bunch. Best of all, it contains four short stories involving her Blood series characters Vicki Nelson, Michael Celluci and Henry Fitzroy - always a pleasure to read.
"The Chase Is On" is a space opera, whose characters deserve a book of their own. "Underground" tells the story of what may exist in the Toronto subway system. "I'll Be Home For Christmas" is about a mother, her young daughter, and the inheritance that is much more than it appears to be. "Shin Li-Ung" is a story about Chinese tradition, gangs, and unexpected protection. "First Love, Last Love" is the ultimate tale of boys and their toys. "Word of Honor" tells of a woman who discovers her own honor while carrying out a quest for someone else. "The Harder They Fall" is about what happens when fairy tales turn real. "A Debt Unpaid" is a mining story involving personal choices and personal ghosts. "February Thaw" takes the story of Demeter, Persephone, and Hades and turns them into a modern-day dysfunctional family. "Symbols Are A Percussion Instrument" involves an cynic and a pack of tarot cards. "A Midsummer Night's Dream Team" takes High Elves and crosses them with the Olympics. And then "This Town Ain't Big Enough", What Manner of Man", "The Cards Also Say" and "The Vengeful Spirit of Lake Nepeakea" all continue the story of Vicki Nelson (ex-cop, now a vampire PI), her lover Detective-Sargeant Michael Celluci, and Henry Fitzroy (romantic novelist, vampire, and bastard son of King Henry VIII of England).
If you've never read Ms. Huff, this is a great introduction to her writing. And if you're a fan, then this is icing on the cake.

7 of 10 people found the following review helpful.
Awesome!
By Kim D.
If you never read a Tanya Huff book this is the one to start with. The stories are amazing in their diversity! I have read just about every Huff book (except one that is out of stock). All her books are awesome! I love the Blood books, the Last Wizard, and the Quartered books. It amazes me that she has such an imagination.
This book just shows there doesn't seem to be anything she can't write about.
Keep up the excellent work Tanya!

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Sabtu, 21 Desember 2013

[M246.Ebook] Fee Download Green Networking and Communications: ICT for SustainabilityFrom CRC Press

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Green Networking and Communications: ICT for SustainabilityFrom CRC Press

Although the information and communication technology (ICT) industry accounted for only 2 percent of global greenhouse gas emissions in 2007, the explosive increase in data traffic brought about by a rapidly growing user base of more than a billion wireless subscribers is expected to nearly double that number by 2020. It is clear that now is the time to rethink how we design and build our networks.

Green Networking and Communications: ICT for Sustainability brings together leading academic and industrial researchers from around the world to discuss emerging developments in energy-efficient networking and communications. It covers the spectrum of research subjects, including methodologies and architectures for energy efficiency, energy-efficient protocols and networks, energy management, smart grid communications, and communication technologies for green solutions.

  • Examines foraging-inspired radio-communication energy management for green multi-radio networks
  • Considers a cross-layer approach to the design of energy-efficient wireless access networks
  • Investigates the interplay between cooperative device-to-device communications and green LTE cellular networks
  • Considers smart grid energy procurement for green LTE cellular networks
  • Details smart grid networking protocols and standards

Considering the spectrum of energy-efficient network components and approaches for reducing power consumption, the book is organized into three sections: Energy Efficiency and Management in Wireless Networks, Cellular Networks, and Smart Grids. It addresses many open research challenges regarding energy efficiency for IT and for wireless sensor networks, including mobile and wireless access networks, broadband access networks, home networks, vehicular networks, intelligent future wireless networks, and smart grids. It also examines emerging standards for energy-efficient protocols.

Since ICT technologies touch on nearly all sectors of the economy, the concepts presented in this text offer you the opportunity to make a substantial contribution to the reduction of global greenhouse gas emissions.

  • Sales Rank: #7255645 in Books
  • Published on: 2013-10-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.20" w x 7.30" l, .0 pounds
  • Binding: Hardcover
  • 488 pages

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Sacred Success�: A Course in Financial Miracles shows women there is a better way to achieve wealth and power: on your own terms—as a woman.

Barbara Stanny, the leading expert on women and money, has helped women take control of their finances for two decades—and she knows there is much more to success than how much you earn. In her work with powerful, successful women over the last 20 years, bestselling author and financial educator Stanny has found that most women’s problems with money have little to do with money itself, but rather with their fear of, or ambivalence toward, power. Instead of pushing women to pursue financial success in the traditional fashion, Sacred Success seeks to redefine power from a feminine perspective.

More than a financial guide, Sacred Success is a primer on power for women—a tutorial for taking charge of your life by taking charge of your finances, and not only growing your money but creating a deeper, richer, and more meaningful life. Best described as “A Course in Miracles meets the Wall Street Journal,” Sacred Success gives you a proven process that uniquely blends the practical, psychological, and spiritual work of wealth.

You can be financially successful without sacrificing your soul or compromising your values. You can create wealth and exercise power by staying true to your authentic self and personal mission. Start now.

  • Sales Rank: #86454 in Books
  • Published on: 2014-10-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x 1.20" w x 5.60" l, .0 pounds
  • Binding: Hardcover
  • 272 pages

Review

“Barbara Stanny teaches women how to achieve financial freedom—with heart, soul, love, and a commitment to leaving the world better than we found it. What a blessing!”
—Lissa Rankin, MD, New York Times bestselling author of Mind Over Medicine

"Barbara Stanny is a genius at articulating the steps a woman needs to take to step into a deeper level of power that has everything to do with higher service and nothing to do with power over. Read this book and be transformed.”
—Kate Northrup, bestselling author of Money: A Love Story

“This groundbreaking book is about far more than money. It’s a primer on creating wealth and wielding power as a woman.”
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“Sacred Success is like hot yoga for your money beliefs. Barbara Stanny's revelations will have you bending your limitations, and reaching for deeper meaning—where the gold is.”
—Danielle LaPorte, author of The Desire Map and The Fire Starter Sessions

“[Barbara’s] journey has been fascinating and her book is well worth reading for anyone who wants to make a life, rather than just a living.”
—Liz Pulliam Weston, a personal finance columnist and author of Deal with Your Debt

“Sacred Success is absolutely phenomenal!! I couldn't stop reading. It is a tour de force and EXACTLY what every woman needs to know. This book is a winner on so many levels.”
—Christiane Northrup, MD, author of the New York Times bestseller Women's Bodies, Women's Wisdom

“Sacred Success is for any woman who hungers for more. Not just to make more money, but to live a more meaningful life.”
—Farnoosh Torabi, financial expert and author of When She Makes More: 10 Rules for Breadwinning Women

“Only Barbara Stanny could write on the topic with this much insight and passion. If this book doesn’t enable you to take a fresh look at your relationship with success, money, and wealth nothing ever will.”
—Lois P. Frankel, Ph.D., author of Nice Girls Don’t Get the Corner Office and Nice Girls Don’t Get Rich

“Ready to experience financial miracles? In Sacred Success, Barbara Stanny shows how taking control of your finances starts with honoring—and liberating—the authentic you. A truly transformational read!”
—Manisha Thakor, CEO of MoneyZen Wealth Management

“Financial success doesn’t require giving up your dreams or personal values. In Sacred Success, Barbara Stanny shows that genuine success starts with staying true to yourself and embracing your passions. ”
—Marci Shimoff #1 New York Times bestselling author of Happy for No Reason, Love For No Reason, and Chicken Soup for the Woman's Soul

“If you’re ready to take charge of your finances and realize your full potential, this is your book. Barbara Stanny’s expertise is, well, right on the money.”
—Gabrielle Bernstein, New York Times bestselling author of Miracles Now

“It’s time for women to redefine power and success on our own terms. Let Barbara show you the way!”
—Amanda Steinberg, founder of DailyWorth.com

About the Author
Barbara Stanny is the leading authority on women and money. Her mission: revolutionize women's relationship with money. As a bestselling author, sought-after speaker, workshop facilitator, and money/wealth coach, Barbara has helped millions take charge of their finances and their lives.

Barbara's background in business, her years as a journalist, her Master's Degree in Counseling Psychology, her extensive research, and her own dramatic experience with money give her a unique and powerful perspective on women's financial issues. She has been featured on Good Morning America, The View, Extra, The O'Reilly Report, and many times on CNN, MSNBC, CNBC, Fox News, PBS, and NPR, as well as the New York Times, and USA Today. She is the author of Prince Charming Isn’t Coming: How Women Get Smart About Money, Secrets of Six-Figure Women, Overcoming Underearning, and Finding a Financial Advisor You Can Trust.

For more information on Barbara Stanny and her work please visit barbarastanny.com.

Most helpful customer reviews

16 of 16 people found the following review helpful.
This book is a game changer for all women! ...
By Mary D.
This book is a game changer for all women! Barbara Stanny’s genius gave me the tools to address my ‘lack mentality’ through soul vs. ego thus leading me to clarify my self-worth giving me permission to ‘think big.’ I was able to successfully raise my rates, work less, invest more and have lots of time left over to feed my soul. Thank you Barbara Stanny for changing my life!
Mary Deveneau
Sacramento, CA

12 of 12 people found the following review helpful.
This book ROCKS!
By tim peterson
Written by Leisa Peterson (not Tim as this is our family account) - I couldn't wait to read this book after reading several of Barbara's past chronicles. This book definitely did not disappoint and I found it filled with helpful stories, quotes, exercises and insights about ways to live a more fulfilling and satisfying life. I love Barbara's writing style as it keeps you interested from page one until the very end. Barbara isn't like many writers who just tell you how to live your life, she lives through her stories so you know that everything she is suggesting is tried and true advice from a seasoned and heart focused professional. I am recommending this book to every woman I know as it could be a catalyst style game changer for those who are ready for more GREATNESS in their lives.

21 of 24 people found the following review helpful.
Didn't Inspire Me
By A Reader
I’ve read several of Barbara Stanny’s books and was really looking forward to her latest one, “Sacred Success.” I know I’m in the minority here, but overall, I was very disappointed. I’m glad that other readers found the book to be enlightening and helpful, but I quickly grew annoyed with all the New Age “wisdom.” All this talk of the “Call to Greatness” and “Receptive Surrender” is just too “woo-woo” for my tastes. The second half of the book is a little more practical, with some actual steps you can take to build wealth. There are also a few simple exercises that I found useful and very thought-provoking. (e.g., Answer the following, one of the "Three Big Questions": “If nothing at all changed, what will my life look like in five years?”) But all in all, I found this book to be a stretch. In my opinion, it would have worked better as a long magazine article. The author says she originally set out to write about women who make seven figures, but her editor turned the idea down. I don’t know what the editor was thinking! A book about female millionaires—their mindsets and how they became successful—is one that I would definitely be interested in reading.

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Jumat, 20 Desember 2013

[L168.Ebook] Ebook Download Christian Slaves, Muslim Masters: White Slavery in the Mediterranean, The Barbary Coast, and Italy, 1500-1800 (Early Modern History Society

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Christian Slaves, Muslim Masters: White Slavery in the Mediterranean, The Barbary Coast, and Italy, 1500-1800 (Early Modern History Society

This is a study that digs deeply into this 'other' slavery, the bondage of Europeans by North-African Muslims that flourished during the same centuries as the heyday of the trans-Atlantic trade from sub-Saharan Africa to the Americas. Here are explored the actual extent of Barbary Coast slavery, the dynamic relationship between master and slave, and the effects of this slaving on Italy, one of the slave takers' primary targets and victims.

  • Sales Rank: #96169 in Books
  • Brand: Davis, Robert C.
  • Published on: 2004-11-27
  • Released on: 2004-11-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .63" w x 5.50" l, .82 pounds
  • Binding: Paperback
  • 246 pages

Review

'Christian Slaves, Muslim Masters is about a subject of immense importance, which has been strangely neglected...It is very well researched, and... at a time of unprecedented interest in racial slavery in America, it is interesting to read a crucial and informative preview to that subject.' - David Brion Davis, Yale University

About the Author
Robert C. Davis is a professor emeritus from the Ohio State University, Columbus, OH

Most helpful customer reviews

49 of 51 people found the following review helpful.
Read this
By O.V.R. Hill
if you want to have a better understanding of what is going on in northern Africa today. You may have learned in American history that President Jefferson sent the Marines to the Mediterranean when American shipping was being attacked by the Barbary pirates. I attended public schools and was never taught that whites as well as blacks were taken by Muslims and sold in the slave markets. Well written and a very interesting book.

63 of 67 people found the following review helpful.
An Unpopular Eurocentric Reality
By fastidious one
This is an eye-opening account of Barbary Coast slavery, American historians have studied every aspect of enslavement of Africans by "whites" but have largely ignored enslavement of "whites" by North Africans which flourished during approximately the same period as the trans-Atlantic slave trade. What is most striking about Barbary slaving raids is their scale and reach. Pirates took most of their slaves from ships, but they also organized huge, amphibious assaults that practically depopulated parts of the Italian coast. Italy was the most popular target, partly because Sicily is only 125 miles from Tunis, but also because it did not have strong central rulers who could resist invasion. The Barbary Coast extends from Morocco through modern Libya, was home to a thriving man-catching industry from about 1500 to 1800. The great slaving capitals were Sal� in Morocco, Tunis, Algiers, and Tripoli, and for most of these periods, European naval protection was too weak to put up more than token resistance.

The trans-Atlantic trade in "blacks" was commercial, but for Arabs, memories of the Crusades and fury over expulsion from Spain in 1492 seem to have fueled an almost war-like Christian stealing campaign. For example; when pirates sacked Vieste in southern Italy in 1554, they took an astonishing 6,000 captives. Algerians took 7,000 slaves in the Bay of Naples in 1544, in a raid that drove the price of slaves so low it was said you could "swap a Christian for an onion."

Spain also suffered attacks. After a raid on Granada in 1566 netted 4,000 men, women, and children, it was said to be "raining Christians in Algiers". For every large-scale raid of this kind there would have been dozens of smaller ones. When Muslim corsairs came ashore, they made a point of desecrating churches, stealing church bells --- not just because the metal was valuable but also to silence the distinctive voice of Christianity. During frequent smaller raids, only a few ships would operate by stealth in the middle of the night so to catch people "in their beds". This practice gave rise to the modern-day Sicilian expression, pigliato dai turchi, or "taken by the Turks"... Meaning to be caught by surprise while asleep or distracted.

Some Arab pirates were formidable skilled blue-water sailors, and terrorized Christians up to 1000 miles away. During one account, a raid in the early 1600s occurred all the way to Iceland, netting nearly 400 captives. Throughout the 17th century, Arab pirates operated freely in British waters, even sailing up the Thames estuary to pick off prizes and raid coastal towns. By the mid-1600s the British were running a brisk trans-Atlantic trade in "blacks", but many British crewmen themselves became the property of Arab raiders.

TREATMENT:
"Bastinado" was a term for common punishment once in North Africa. It was tradition to parade newly-captured Christians through the streets, so people could jeer at them, and children could pelt them with refuse. At the slave market, men were made to jump about to prove they were not lame, and buyers often wanted them stripped naked again to see if they were healthy. This was also to evaluate the sexual value of both men and women; "white" concubines had a high value, and all the slave capitals had a flourishing homosexual underground. Buyers who hoped to make a quick profit on a fat ransom examined earlobes for signs of piercing, which was an indication of wealth. It was also common to check a captive's teeth to see if he was likely to survive on a tough slave diet. It is well known that malnutrition, overcrowding, overwork, brutal punishment, and epidemics of epidemics of plague usually wiped out 20 to 30 percent of the "white" slaves. It was also common to shave the heads and beards of public slaves as an added humiliation during a period when head and facial hair were an important part of a man's identity. It was also common to strip men naked, both to examine their clothes for sewn-in valuables and to see if any circumcised Jews were masquerading as gentiles.

REDEMPTION:
It was common to bring the freed "white" slaves home, and march them through city streets in big celebrations. These parades became one of the most characteristic urban spectacles of the period, and had a strong religious orientation. Sometimes the slaves marched in their old slave rags to emphasize the torments they had suffered; sometimes they wore special white costumes to symbolize rebirth. According to contemporary records, many freed slaves were never quite right after their ordeals, especially if they had spent many years in captivity.

So, why is there so little interest in Mediterranean slavery while scholars perpetually focus entirely on "black" slavery? Perhaps, "white" slaves with "non-white" masters simply does not fit the master narrative of European imperialism.

0 of 0 people found the following review helpful.
Muslim Contempt for White Christian Slaves
By Loves Movies and Books!
I found this book truly fascinating. If ever we need to understand what is going on today we need to read about the history of the Muslim world. Readers will have a much better understanding of how and why the people in that area and under the Muslim religion think of us the way they do. This should be taught in school and I know it will never be, simply because we need to understand their contempt of Christians and of European/Western Civilizations. This book is an excellent read for anyone. A lot of thorough research, bibliographies, and laid out history of the dark past our politicians and college professors want us to forget. Kudos to R. Davis. I have yet to understand why it is so taboo to talk about slavery especially of whites. The people from the Barbary States had a hunger for white slaves just as some colonists had the same appetite for African slaves. The Muslims were like many other people back then, they made money off slavery. The difference here is the way they treated their slaves.

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Rabu, 18 Desember 2013

[F709.Ebook] Fee Download Earth Materials: Introduction to Mineralogy and Petrology, by Cornelis Klein, Anthony Philpotts

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Earth Materials: Introduction to Mineralogy and Petrology, by Cornelis Klein, Anthony Philpotts

This concise, accessible, market-leading textbook brings together the wide-ranging fundamentals students need to understand rocks and minerals, and shows them how they relate to the broader Earth, materials and environmental sciences. Designed specifically for one-semester courses, it is beautifully illustrated to explain the key concepts in mineralogy and petrology. This edition has been fully updated based on classroom experience, and new features include a completely new chapter providing an elementary introduction to thermodynamics, kinetics, radioactive decay and absolute dating; new mineral descriptions and many new stunning color photographs; and a new section on hydraulic fracturing and discussion of some of its most serious potential environmental consequences. The book uses stunning photos of mineral specimens and rock thin sections to help students build a core understanding. It also creates a highly effective learning experience through close integration of clear illustrations with engaging text, and helps students to easily visualize crystal structures through the CrystalViewer's 3D software, available online.

  • Sales Rank: #788106 in Books
  • Published on: 2016-12-24
  • Original language: English
  • Dimensions: 10.87" h x 1.02" w x 8.62" l, .0 pounds
  • Binding: Paperback
  • 616 pages

Review
'Earth Materials is a magnificent textbook that illustrates in a wonderful way how petrology and mineralogy relate to our planet Earth, its formation and modification by igneous, metamorphic and sedimentary processes. Outstanding photographs and detailed thin section images are neatly combined with clear illustrations, fostering the link between observations and fundamental theoretical principles. A new section in the second edition about thermodynamics and kinetics nicely complements the thorough coverage of key concepts in petrology and mineralogy. The available online resources are an essential aid for teaching, and students will benefit from the review questions at the end of each chapter. Earth Materials is simply a great textbook, which I can highly recommend.' Ralf Halama, Keele University

'Earth Materials captures the fundamentals of mineralogy and petrology in a one-semester text in a surprisingly thorough and direct way. This book can be successfully used for both one-semester courses and two-semester sequences. My students appreciate the clear, color images, and I appreciate the depth of information provided.' Christine M. Clark, Eastern Michigan University

'There is an increasing trend to condense mineralogy and petrology into a one semester course, and Earth Materials - An Introduction to Mineralogy and Petrology authored by Klein and Philpotts, provides the perfect textbook for such a course. It is extensive enough to supply fundamental information on mineralogy and petrology separately, while also seamlessly integrating these two subjects into a cohesive entity. Most impressive to me are the extensive colour figures and thin sections for most of the rock types.' Zhaohui (George) Li, University of Wisconsin

'I have used this textbook in my undergraduate Earth Materials course since its publication in 2013, and the second edition adds important new elements, including a more comprehensive treatment of thermodynamics and phase equilibria. The components that made the first edition so welcome are still here: the integration of crystallography with sedimentary, igneous, and metamorphic geology; the colorful images of atomic structures, minerals and geologic localities; and the consideration of the role that minerals play in our society. It is by far the best text for those of us who have to cover all the mineralogical and petrological bases in one semester.' Peter J. Heaney, Pennsylvania State University

'I really like the way this book organizes the subjects of mineralogy and petrology to emphasize the connection between plate tectonics, mantle processes, mineral stability, and rock composition. Teaching with this organization clearly reinforces the big picture of geologic processes while digging into enough depth in each subject area to prepare students to tackle integrated geologic problems.' Alexis Sitchler, Colorado School of Mines

'Brilliant! Absolutely brilliant! A landmark text in the Earth Sciences for modern times! The color illustrations, figures and photographs of all things geologically important, accompanied by lucid text, will seductively attract young minds. The chapters covering wide-ranging topics are all relevant for 21st century students of Earth and material science. I can't think of a better text that is a 'must buy' for our undergraduates.' Asish R. Basu, University of Texas, Arlington

About the Author
Cornelis ('Kase') Klein is Emeritus Professor in the Department of Earth and Planetary Sciences at the University of New Mexico, Albuquerque. He received his BSc and MSc in geology from McGill University, Canada, and his PhD from Harvard University, Massachusetts, also in geology. He has been a member of the geology faculty at Harvard University, Indiana University, Bloomington, and the University of New Mexico, and has taught courses in mineralogy at all these universities. His published books include Manual of Mineralogy (19th-21st editions), Manual of Mineral Science (22nd-23rd editions) and Minerals and Rocks: Exercises in Crystal and Mineral Chemistry, Crystallography, X-Ray Powder Diffraction, Mineral and Rock Identification, and Ore Mineralogy, 3rd edition (2007). He has received two awards for excellence in teaching from the University of New Mexico.

Anthony R. Philpotts is Emeritus Professor of Geology and Geophysics at the University of Connecticut, a Visiting Fellow in the Department of Geology and Geophysics at Yale University, Connecticut and Adjunct Professor in the Department of Geosciences at the University of Massachusetts. He received his BSc and MSc in geology from McGill University, Canada, and his PhD from the University of Cambridge. He has taught igneous and metamorphic petrology courses at McGill University and the University of Connecticut for more than forty years. His published books include Principles of Igneous and Metamorphic Petrology, 2nd edition (Cambridge, 2009) and Petrography of Igneous and Metamorphic Rocks (1989, 2003).

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[H172.Ebook] Download Ebook Chopin: Nocturne E flat major op. 9,2 (Henle Music Folios)From Henle

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Chopin: Nocturne E flat major op. 9,2 (Henle Music Folios)From Henle

(Piano Solo). By Frederic Chopin (1810-1849). Edited by Ewald Zimmermann. For piano solo. This edition: HN664. Piano (Harpsichord), 2-hands. Henle Music Folios. Urtext edition-paper bound. 4 pages. Published by G. Henle Verlag (HL.51480664)

  • Sales Rank: #4383812 in Books
  • Published on: 2007
  • Binding: Paperback
Features
  • Nocturne, E flat major, op. 9,2 (Piano solo)

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Selasa, 17 Desember 2013

[J246.Ebook] Free Ebook The Sea Is Ours: Tales from Steampunk Southeast AsiaFrom Rosarium Publishing

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The Sea Is Ours: Tales from Steampunk Southeast AsiaFrom Rosarium Publishing

Steampunk takes on Southeast Asia in this anthology

The stories in this collection merge technological wonder with the everyday. Children upgrade their fighting spiders with armor, and toymakers create punchcard-driven marionettes. Large fish lumber across the skies, while boat people find a new home on the edge of a different dimension. Technology and tradition meld as the people adapt to the changing forces of their world. The Sea Is Ours is an exciting new anthology that features stories infused with the spirits of Southeast Asia’s diverse peoples, legends, and geography.

  • Sales Rank: #423715 in eBooks
  • Published on: 2015-11-30
  • Released on: 2015-11-30
  • Format: Kindle eBook

Review
"The standouts are the three central pieces: Kate Osias’s 'The Unmaking of the Cuadro Amoroso,' in which an enclave of prodigies takes revenge on imperial war machines; Olivia Ho’s 'Working Woman,' reexamining Frankenstein’s monster amid the multicultural power brokers of Singapore; and Robert Liow’s 'Spider Here,' a hard-SF adventure with a suicide bomber, illegal fights, and a disabled schoolgirl protagonist. Even the slighter stories have the craft, perspective, and components that merit savoring, and the finest would be worth considering for any year’s best anthology." —Publishers Weekly

About the Author
Jaymee Goh is a writer, editor, reviewer, blogger, and academic of science fiction, fantasy, and steampunk. She is the author of the steampunk blog Silver Goggles and has written steampunk-related nonfiction in The WisCon Chronicles and Steampunk III: Steampunk Revolution. She lives in Riverside, California. Joyce Chng writes science fiction, steampunk, and urban fantasy, and her fiction has been published in publications including Crossed Genres, the Apex Book of World SF II, and The Alchemy Press Book of Urban Mythic. She coedited The Ayam Curtain, a Singaporean anthology of SFF micro fiction, and she blogs at A Wolf’s Tale.

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2 of 2 people found the following review helpful.
Steampunk done right.
By liz
Steampunk is about finding that fascinating intersection between fantasy and science fiction, where futuristic technology not only meets, but becomes, magic—animals fused with robotics, working airships, myths embodied in a mystical combination of art and science. The SEA is Ours is about bringing together the already wide world of steampunk with the wonderfully diverse and vivid Southeast Asian worlds imagined by authors from that region. For anyone who is used to thinking of steampunk a la Scott Westerfeld, Cherie Priest, or Elizabeth Bear, The SEA is Ours makes no bones about its de-centering of Europe and the U.S., and its stories’ reliance on regional history and myth with little introduction for the outside reader. And it does all of this while collecting well-written stories from a wide range of perspectives.

The stories in this collection hail from the Philippines, Thailand, Malaysia, Vietnam, and more. From Marilag Angway’s “Chasing Volcanoes,” about an airship that refuels via active volcanoes in the Philippines and takes on an unexpected cargo, to Alessa Hinlo’s folklore-inspired tale of European encroachment into the Philippines in “The Last Aswang,” to Olivia Ho’s noir gears and gadgets story that brings to mind an urban Frankenstein in “Working Woman,” this collection has something for everyone who loves steampunk or myth or both at the same time.

In The SEA is Ours writers take on themes often applied to the region on their own terms, exploring fantasies of flight, the clash of worlds, past lives, and ideas of progress. Many of the stories use personal relationships, particularly siblings, to explore the duality of nations struggling to define themselves while being subject to decades, and even centuries, of outside pressure. In “Between Severed Souls,” Paolo Chikiamco imagines one family’s struggle to right the perceived wrongs of history projected onto the greater history of Spanish imperialism in the Philippines, where technology and folklore come together in the life of an artist who has lost his wife, and allow him to confront the past in these many layers.

All stories in this collection, though, are as vibrant and varied as their sources and the people they represent, and imagine a strong history and stronger future for the region. Any reader used to United States or European-centered steampunk should definitely check out this collection for a new take on an endlessly varied subgenre. Readers interested in the intersection of science fiction and folklore will definitely enjoy the stories in The SEA is Ours, while those who like to see representation of many types of diversity will enjoy this collection’s inclusion of not just cultural, but ability and gender diversity as well.

0 of 0 people found the following review helpful.
I appreciated this nice change of pace
By Yzabel
[NOTE: I received a copy of this book through NetGalley, in exchange for an honest review.]

An interesting change of setting, mixing south-eastern Asia culture and various other aspects to engineering and more “steampunkish” elements. I appreciated this nice change of pace, so different from the typical corset & goggle aesthetics: though I still love the latter, variety is always good, and the whole steam/mechanical technology shouldn't be restricted to European or American settings.

Descriptions and characters mostly felt real enough, and I had no trouble imagining what their surroundings looked like. Some stories used “foreign” words whose meaning wasn't too difficult to guess, so it added to the immersion factor while not being overly confusing. A certain dichotomy also permeated this anthology, though in a harmonious way, in that several of the stories mixed technology with traditional or supernatural aspects: the Westerners' cold, rational technology as opposed to a technology combining magic or spirits to science. As simplistic as the first may seem, it still flowed well enough for me.

What I found lacking in this anthology is something I find both very difficult to achieve as a writer, and lacking in short stories in general: it came with a lot of excellent ideas, character concepts and backgrounds, but tended to leave the reader to dry by cutting off abruptly the narratives. I kept expecting either more of a punchline at the end of stories, or to learn that those had also been developed / were to be developed into novellas or novels later. As a result, I more than once reached the end of a story thinking “am I missing a few pages here?”

Favourite stories:

“On the Consequence of Sound”: though the ending was a bit predictable, I really liked the idea of using music to make items and ships levitate.

“The Unmaking of the Cuadro Amoroso”: exploring various ideas, such as artists that are also scientists (or is it the contrary?), science versus faith, an oppressive government, revenge, and a polyamorous relationship presented in a totally natural way.

“Working women”: a bit too abrupt to my taste in how events unfurled, however I liked its weaving of three women's stories, colliding through mechanical transformations, how society perceived them, and how they acted to (re)claim their own worth and independence.

Formatting: a few typos here and there, however I read an ARC, so this was probably to be expected. I don't know about the printed book.

0 of 0 people found the following review helpful.
A diverse collection with several gems
By Heather Rose Jones
Literature is a collaborative exercise between author and reader, with the story emerging from the intersection of intention and reception. That collaborative experience is very different for those who have small versus large intersections of background between the author and the potential readership. (I am very awkwardly trying to avoid using words like “minority” and “marginalized” which carry an inherent sense that U.S. publishing culture is the ruler against which all else is to be compared.) The author who writes from a cultural experience that is shared by a relatively small proportion of their potential readership (whether due to demographics or cultural hegemony) must choose between spending time bringing the bulk of their readers up to speed on unfamiliar concepts or simply lobbing those concepts straight at them with the instructions, “Catch it or duck!”

In some ways, SFF authors who are in this position have an advantage, in that the SFF readership is (in theory) accustomed to stories that plunge them into unfamiliar worlds and expect them to pick up what they need to know from context. We’ve been trained to expect unfamiliar vocabulary and concepts, to be tossed in media res, and to work things out as we go along. There are existing reading protocols to deal with the unfamiliar.

This is “in theory” because SFF readers can be startlingly fixated on specific cultural models as being somehow more real and natural than others. Cultural background is a large part of that, whether it derives from the reader’s own culture of origin, or from the established body of existing SFF literature. And, unlike purely invented cultures like Middle Earth or Star Trek’s Federation, the real-life and literary/mythological elements a non-Western author brings to their SFF are shared by some proportion of their readers, creating a dichotomous experience where some readers will see deeper resonances than others. I’ll be one of the readers who doesn’t necessarily see those deeper resonances, so I can only review the stories in terms of my own understanding.

The concept behind The Sea is Ours is exactly what it says on the label: steampunk stories set in Southeast Asia, written primarily (although not exclusively?) by authors whose own roots are in that region. The title is a delightful play on both the geographic acronym (SEA) and the significant presence that the ocean plays in this corner of the world.

(Note that I wrote up these reviews as I read each piece, so there will be references to “of what I’ve read so far” in places.)

“The Consequence of Sound” by Timothy Dimacali – A coming-of-age story involving the mastery of a music-based levitation technology, giant sky-whales, and the loss of innocence. A vividly-told story with great world-building, although I found the ending too abrupt.

“Chasing Volcanoes” by Marilag Angway – If you’re the sort who enjoys a loving focus on exploring the details and consequences of a fictional technology (in this case, “mining” volcanoes for energy-producing gas), this is for you. There are also political and personal elements to the plot, but they felt more awkward. The ending fell flat for me, not so much because it followed standard rescue-and-redemption tropes, but because it hinged on a mechanical failure of a safety suit that didn’t work for me on a purely technical level.

“Ordained” by L.L. Hill – I have the feeling this story was trying to do something I didn’t quite get. It’s a very atmospheric tale of an encounter between two brothers: one a Buddhist monk, one who has embraced colonialist culture. The steampunk element involves clockwork insects, which are also involved in some fashion in the only thing that seems to provide a moment of overt conflict. But the resolution, if present, is very subtle. The specific religious framing of the interaction made me a bit more willing to accept it as an experiential rather than plot-driven piece, but I’m still certain that I’m missing parts. The descriptive language is so lush and ambitious that it falls over the edge into purple prose, for me. Some of the descriptive passages became so convoluted in their syntax that I had difficulty determining exactly what image I was supposed to be envisioning.

“The Last Aswang” by Alessa Hinlo – A sharp and satisfying tale of international relations involving both human and supernatural players with a violent and somewhat bloodthirsty conclusion. There were a few editorial glitches that I found distracting, but I liked the gradual exposition and foreshadowing.

“Life Under Glass” by Nghi Vo – A sweet and colorful vignette of a specimen-collecting expedition that turns up something unexpected. There’s also a relationship/self-discovery thread in the story. Nicely written but I had a hard time finding a satisfying plot. Neither of the main themes really resolved in any clear way. It was also hard to tie it into the steampunk theme. There was some handwaving about stasis tanks for the specimens, but in a very incidental way.

“Between Severed Souls” by Paolo Chikiamco – This is the second story in the collection so far that sets up conflict and contrast between siblings, one who has adopted the trappings of colonialist invaders and one who has not. This was quite a complex and tightly plotted story, involving a woodcarver and a piece of lumber with magical properties, in addition to something of a love triangle (with one member being dead) and the risks and consequences of warfare. There are mechanical devices and mechanical body parts to bring the steampunk balance to the other more supernatural elements. A well-written and satisfying story overall.

“The Unmaking of the Cuadro Amoroso” by Kate Osias – A dark story about love, relationships, and revenge where the steampunk elements are front and center in the action. The underlying theme is how political powers twist and warp creative people for their own ends, destroying what they hope to use. Bonus points for non-default sexuality.

“Working Woman” by Olivia Ho – The politics and morality of cybernetic people is central to this rather violent story of what people do to survive…and what they do when they decide survival isn’t the highest priority. There are also strong themes of the interactions of distinct cultures in close proximity, the human toll of industrialization, and the bonds that women form against all other differences. Despite the story being considerably more violent than I usually care for (although the violence feels more in the comic-book vein than being viscerally horrific), this may be my favorite of the collection. Excellently written with solid and intricate world-building.

“Spider Here” by Robert Liow – This story did two things very well and the rest somewhat disappointingly. The protagonist is a physically disabled girl who creates bio-cybernetic spider housings (that is, housings inhabited and powered by spiders) for combat entertainments. A larger-scale version of the sort of work she creates appears as her mobility assistive device. Both the vivid description of the technical details of her work, and the very matter-of-fact inclusion of her disability and its compensations are high points. Unfortunately, the story as a whole is disappointing. The opening narrative is too full of unnecessary explanation, while in contrast certain prominent events and characters are introduced that are never really followed up on. And the plot just sort of stops rather than concluding.

“The Chamber of Souls” by zm quỳnh – A group of Vietnamese refugees are rescued from the open sea only to find themselves in the hands of aliens from another world (although the exact relationship of their world to ours is never clear). This initial charity turns dangerous when the refugees are thrust into the middle of an inter-alien conflict and discover certain incompatibilities between human and alien physical requirements. The protagonist goes to extremes to rescue an alien cybernetic entity that carries a valuable component. The conclusion of the story features themes of displacement, adjustment, and trying to reconstruct one’s native culture in an alien environment. In the final scene, the protagonist is offered an option for ultimate integration with his new environs—an option that I found intensely disturbing, but that could be viewed either as a cautionary metaphor for the assimilation process, or as a positive act within a cultural system with different rules and values than my own. I’d be curious to know which the author intended or whether the ambiguity itself was intentional.

“Petrified” by Ivanna Mendels – Some intricate and deep worldbuilding that for me was undermined by the story being conveyed in awkward info-dumps and as-you-know-Bobs. The premise was interesting, but the writing style didn’t work at all for me.

“The Insects and Women Sing Together” by Pear Nuallak – A story of the overlooked strength and creativity of women against a setting of political struggle and war. I particularly liked the way it depicted a variety of women’s relationships and different ways of resisting narrow expectations. Oh, and queerness. I liked that part too. This ties with the Olivia Ho story for my favorite.

Overall, a somewhat uneven collection. The cultural aspect of the theme was strong and consistent, even if the steampunk aspect occasionally faltered. The characters are delightfully diverse within the specified setting, particularly in terms of gender, sexuality, and disability. There were places where a stronger editorial hand would have been useful, but several of the stories shone out brightly. I particularly liked “Between Severed Souls” by Paolo Chikiamco, “Working Woman” by Olivia Ho, and “The Insects and Women Sing Together” by Pear Nuallak.

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