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Author and technologist Nicholas Negroponte has declared that printed books are in danger of disappearing; according to his predictions, the last printed book will appear sometime in the spring of 2016. This copy might well make its appearance tucked away in a backpack and taken aboard a subway to read. This is the premise of "The Last Book," the latest body of work by Amsterdam-based photographer Reinier Gerritsen. Gerritsen has taken up the current plethora of books and their readers on New York City's subways as the proverbial canary-in-the-coal-mine, an indicator of the still robust nature of public readership, in the face of its ostensible decline. The work began for Gerritsen as a series of modest observations, and has turned into a series of unexpected, documentary portraits, set against a visual landscape of bestsellers, classics, romance novels, detective thrillers, Bibles, biographies and other printed books. Gerritsen depicts groups of individuals engrossed in the worlds they hold in their hands. From the subtle interactions of passengers and facial expressions to the sociological clues of book titles, a complexly layered narrative is informed by the choices of readers and the mélange of New York City's subway riders as they are transported both literally and figuratively, by the books in their hands. "The Last Book" also includes an illustrated index and bibliography charting the titles and authors that populate our minds during our daily commutes.
- Sales Rank: #576513 in Books
- Published on: 2014-09-30
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.20" w x 6.90" l, .0 pounds
- Binding: Hardcover
- 240 pages
About the Author
Reinier Gerritsen has been photographing figures in the public sphere for over twenty years now. In 1992, he was awarded the prestigious Rijksmuseum assignment with Luuk Kramer, which resulted in a book and exhibition at Rijksmuseum, Amsterdam. Beginning in 2005, he traveled to twenty-five countries to create the ambitious documentary project The Europeans. His previous monographs include Blinde verrassing (1993), the award-winning Matti (2002), and Wall Street Stop (2010). He is represented by Julie Saul Gallery, New York. Boris Kachka is a Brooklyn-based author who writes about books, publishing, and culture. He is a contributing editor at New York magazine and author of the widely reviewed and praised Hothouse: The Art of Survival and the Survival of Art at America’s Most Celebrated Publishing House, Farrar, Straus and Giroux (2013).
Most helpful customer reviews
3 of 3 people found the following review helpful.
The short introduction is as witty and insightful as the ...
By David A. Novak
The short introduction is as witty and insightful as the numerous photographs. A book that can be read in a variety of ways.
0 of 0 people found the following review helpful.
Five Stars
By Nicole Sales
Great coffee table book. Kids enjoy it too.
0 of 0 people found the following review helpful.
'What are you reading?'
By Eleanor
Whenever I see someone reading a book in public I have an overwhelming urge to know what it is, craning to get a look at author and title whilst trying not too seem too nosy. "The Last Book" allows me to indulge this curiosity at leisure, consisting as it does of photographs of people reading on the New York Subway. The photographs, which date from 2011, are mainly black and white, interspersed with three sections of colour plates.
These photographs are arranged alphabetically by author, so you get runs of particular authors such as Suzanne Collins, E. L. James, Junot Díaz, and Gore Vidal. This ordering also allows for some pleasing juxtapositions such as "Choose to Lose: the 7-day Carb Cycle Solution" coming straight after a battered Loeb of Pindar's poems. You can't help comparing book and reader, seeing whether the combination accords with your preconceptions and prejudices or confounds them. You get the urge to create your own stories about, for example, the woman reading "When Things Fall Apart: Heart Advice for Difficult Times", the burly man with a Jane Austen novel, and the woman whose face is lit up by Deborah Eisenberg.
I read this book with a massive smile on my face throughout, imagining the spaces these readers had carved for themselves among the crowds of the subway and feeling uplifted by the wide variety of books. On the evidence of this work, the written word and the pursuit of knowledge is very much alive and kicking.
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