Selasa, 26 April 2011

[T553.Ebook] Download The World of Writing: A Guide, by Kate Mangelsdorf, Evelyn J. Posey

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The World of Writing: A Guide, by Kate Mangelsdorf, Evelyn J. Posey

The World of Writing is an aims-based writing guide with an emphasis on language and culture that encourages today’s diverse�students to write for tomorrow’s increasingly globalized workplaces and communities.

  • Sales Rank: #262663 in Books
  • Published on: 2010-12-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 7.40" l, 1.98 pounds
  • Binding: Paperback
  • 704 pages

About the Author
Kate Mangelsdorf is an associate professor of English and director of developmental English at the University of Texas at El Paso. She was formerly coordinator of ESL writing at the University of Arizona. Mangelsdorf has published articles in the Journal of Second Language Writing, English Language Teaching Journal, and Teaching English in the Two Year College, and she has contributed chapters to a number of books, including Two-Year College English: Essays for a New Century, A Sense of Audience in Written Communication, and Writing in Multicultural Settings.

Evelyn Posey is an associate professor of English and an associate vice president for academic affairs at the University of Texas at El Paso. She has served as an associate dean in the College of Liberal Arts, director of English education in the department of English, and director of the West Texas Writing Project (a site of the National Writing Project). She has also taught at El Paso Community College. Posey has published articles in Computers and Composition, the Journal of Business and Technical Communication, the Journal of Developmental Education, Teaching English in the Two-Year College, and the Writing Center Journal. She currently serves on the computer committee of the Conference on College Composition and Communication.

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0 of 0 people found the following review helpful.
Used but usable
By Amazon Customer
Came a little more used than I expected. Like someone rolled it up and used it to swat bugs. But all the pages were there and I was able to read everything I needed to. It also arrived quickly. Thanks!

2 of 2 people found the following review helpful.
Great for Adult Learners
By Wendy J. Flint
I chose this textbook for an online English Composition course because most of my students are "returning adults" who range from Generation X or Y to Baby Boomers. The text was easy to follow and applicable to the real world. The writing assignments were very useful for our online course design. I used the last section of the book as a reference tool for reminders about sentence structure, grammar, punctuation, and research. My freshman students were very diverse and came from all different backgrounds, including a ex-prisoner with a GED, a Native American woman going to college while raising a family, a young man who worked in fast food restaurants for 10 years and wanted to improve his life, and a couple of unemployed baby boomers finally taking a leep of faith into a college degree. The writing skills of the students were fair to poor, but this book helped me pull it all together and help the students prepare for college-level writing. The essays in the text were somewhat controversial regarding environment, world events, immigration, and drinking age, to name a few. Though I saw a slight liberal bias, I appreciate that the authors presented both points of view. It promoted critical thinking and interesting discussion in online postings. All students were able to have freedom of speech on these topics and they were challenged to reinforce their point of view in their own essays with research and references. It's one of those books that causes the professor to learn right along with the students. I did not give it a perfect score because several of the essays that students would be required to read if you assign the whole chapter were too long, too boring, and too political. I think several short-essay examples - ones like my students have to write (400 - 500 words) would be more effective. I got the feeling that the lengthy essays were the author's attempt to make a strong political point of view, but instead, they lost their audience all together. Dr. Wendy Flint, Professor

0 of 0 people found the following review helpful.
I used it for rwo semesters for Comp 1 and Comp 2. It worked quite well.
By lyndonbrecht
I used this book for two semesters, teaching Comp 1 and Comp 2. I had my choice of several books, all okayed by my program, and I chose this one. It worked very well. One thing I like about it is that it has readings, as do all comp textbooks, but this one has a number by persons outside the USA (part of the word "World" in the title). The book has four sections (you can get a good idea of content at the Longman's text website). They are Expanding Literacies, Expanding Influence, Expanding Writing Strategies, Expanding Research and a good reference handbook at the end.

Part 3 may or may not be of general use, but it includes visual design of documents, writing in the workplace and one I think students may find useful, writing essay exams. The core chapters I used were (5) Exploring an Event (narrative); (6) Making an observation (description); (7) Explaining a Concept (Definition); (8) Investigating a Cause (cause and effect, not a cause as in a political cause); (9) Evaluating an Experience; (10) Arguing a Position (Argument and persuasion); (11) Solving a Problem; and (12) Advocating for Change. 10, 11 and 12 are sort of variations on a theme. I had the classes write three papers: observation/definition, cause and effect, and advocating for change.

Obviously I'm not going to include my very long syllabus here, but this is a good book, if you have to use one. I would have preferred not using a textbook and having people do an online newspaper subscription, but I had a range of choices, I chose this, and it worked well. A lot of the readings are very recent and students found most of them interesting. It does have some rhet/ comp content but not nearly as bad as in most textbooks.

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Senin, 25 April 2011

[S453.Ebook] Ebook Death at Koten: Legend of the Five Rings, by Shawn Carman

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Death at Koten: Legend of the Five Rings, by Shawn Carman

Three vows that mean everything to a samurai. To break any one is a sin deserving of death. To break all three is an affront to everything a samurai stands for; yet at times only sacrifice can mean victory. The assassination of a Crab Clan leader is the first in a web of events that sets the noble Imperial Magistrate Seppun Tashime on a journey through the Emerald Empire. As his investigations unfold, the true, horrifying scope of what he must face becomes apparent. Thrust into conflict with an ancient evil, will Tashime and his comrades from the Great Clans stave off disaster, or will his actions imperil the Empire even further? Death at Koten is the first graphic novel set in the epic Legend of the Five Rings storyline. A multiple award-winning game, Legend of the Five Rings tells the story of the Emerald Empire, where Great Clans vie against each other for control, while the denizens of the Shadowlands wait for any sign of weakness. Samurai drama meets fantasy in a storyline that lives in the imaginations of thousands across the world.

  • Sales Rank: #2821037 in Books
  • Brand: AEG
  • Published on: 2010-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .28" h x 6.68" w x 10.18" l, .76 pounds
  • Binding: Paperback

Most helpful customer reviews

1 of 1 people found the following review helpful.
The complex concepts of Honour and Loyalty
By Anibal Madeira
This is the first graphic novel set in the amazing Legend of the five rings world. I really hope this is the first of many to come, because Shawn Carman really knows how to weave an interesting tale.

In this story we follow the events and deeds of an honorable magistrate seppun Tashime, and how he got involved in a terrible fight against a mighty Oni. Interesting that the author managed to introduce all the major clans and the relations between them. Politics, sorcery, sacrifice and bravery abound in this tale that shows us that one can be profoundly disonhorable and even so, being loyal to its clan!

The master teaching his pupil is a clich�...granted. But here it works in perfection. The changes in pacing, from the third view to the personal, enhances the story. The art is also quite good, especially the inking but also the illustration.

Although any L5R fan should have this book, those who are introducing themselves in the RPG or the card game will be the ones who will get more from this graphic novel.

1 of 1 people found the following review helpful.
Death at Koten brings Honor to L5R
By Christopher Sullivan
Death at Koten brings honor to L5R. It has an interesting storyline and beautiful artwork on high quality paper. I have been hoping that AEG would produce something like this for years. It brings to life the setting of Rokugan, and manages to capture many of the little details of the game (both the CCG, and the RPG). I highly recommend this for any fan of the game.

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Rabu, 13 April 2011

[O738.Ebook] PDF Ebook The Magic Ring: Systems Thinking Approach to Control Systems (Contemporary Systems Thinking) 2014 edition

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The Magic Ring: Systems Thinking Approach to Control Systems (Contemporary Systems Thinking) 2014 edition

  • Published on: 1600
  • Binding: Hardcover

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Kamis, 07 April 2011

[F781.Ebook] Free Ebook The Committee: A Novel (Middle East Literature In Translation), by Sonallah Ibrahim

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The Committee: A Novel (Middle East Literature In Translation), by Sonallah Ibrahim

Writing in a symbolic and minimalist style, author Sonallah Ibrahim has been called the Egyptian Kafka. This wry take on Kafka's The Trial revolves around its narrator's attempts to petition successfully the elusive ruling body of his country, known simply as the committee.

  • Sales Rank: #154278 in Books
  • Brand: Brand: Syracuse University Press
  • Published on: 2001-11-01
  • Original language: Arabic
  • Number of items: 1
  • Dimensions: 7.38" h x .73" w x 5.50" l,
  • Binding: Hardcover
  • 166 pages
Features
  • Used Book in Good Condition

From Library Journal
An unnamed narrator is brought before a shadowy committee and asked, "By which momentous event among the wars, revolutions, or inventions will our century be remembered in the future?" After only a moment of consideration, he relates the history of Coca-Cola and its effect on the world in some detail. He is then asked to talk about the Great Pyramids. Finally, he is asked to provide "a study on the greatest contemporary Arab luminary." Plunging into deep research on a man known as "The Doctor," our narrator is visited at his home by the committee, who want him to change the subject of his research. When he hedges, one of the committee members stays with him to make sure he picks a new topic. Eventually, our narrator is driven to murder, and the committee condemns him to a bizarre sentence. This powerful, thought-provoking novel offers a fascinating glimpse of the mechanics of repression worldwide. Egyptian novelist Ibrahim, a major figure in the Arab literary world, has published many novels, short stories, and other works. Recommended to all readers who place Kafka's Trial on their list of favorites. Lisa Rohrbaugh, East Palestine Memorial P.L., OH
Copyright 2001 Reed Business Information, Inc.

From Booklist
This is the first English translation of an Egyptian novel first published in 1981. With a plot and theme harking back to the works of Kafka and Camus, the novel tells the story, in first-person narration, of a man who is called before an ominous committee to defend himself against unnamed charges. The author deliberately keeps vague all the elements of his tale, including the setting (though it is assumed to be Cairo), which adds to the reader's feeling of complete strangeness and even sense of vertigo. As part of his defense before the committee, the narrator gives an interesting discourse on the history of Coca-Cola and its place in modern world culture, but when he presents facts about a mysterious figure known as "the Doctor," the committee attempts to silence him. The results are far from the usual thing--especially when the narrator murders the most antagonistic of the committee members and accepts a punishment that borders on the fantastic. This is a wonderful existential novel. Frank Caso
Copyright � American Library Association. All rights reserved

From Publishers Weekly
This spare, swift and ultimately chilling fantasy of interrogation and persecution in contemporary Egypt suggests that all of us are controlled by forces we often have no inkling of. The novel begins with a frustrating and unexplained interview conducted by a group known simply as the Committee. A young man is forced to belly dance, drop his pants and underwear (and worse), then to name the 20th century's most important achievement. He is also asked to write "a study on the greatest contemporary Arab luminary." The young intellectual struggles to find a subject for his project, but he soon settles on a doctor with a reputation for international philanthropy. After a year has passed, the Committee appears at his apartment to inspect his progress. Just as abruptly, they depart, leaving one of their members behind to monitor the narrator's every move, until finally he is driven to murder his observer. For this crime, the Committee sentences him to a bizarre punishment worthy of Dante. In keeping with Ibrahim's reputation as the "Egyptian Kafka," the Committee is anonymous, oppressive and symbolic of familiar social forces though recent world events will prompt readers to associate it with more specific clandestine organizations. Ibrahim (The Smell of It) creates a highly claustrophobic mood with elegant descriptions and the smooth incorporation of historical detail, bringing global depth to this work. As the dark narrative proceeds, its critique of broader social madness masquerading as civilization becomes clearer and clearer, making this a provocative addition to Ibrahim's respected oeuvre.

Copyright 2001 Cahners Business Information, Inc.

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0 of 0 people found the following review helpful.
Very enjoyable book
By Hayli May
This was purchased for a class, but my boyfriend read me excerpts and said he loved it! He likened him to Kafka!

2 of 2 people found the following review helpful.
Speaking truth to power . . .
By Ronald Scheer
First off, a caveat: The editorial reviews (above) for this fine, provocative novel do the disservice of revealing its entire story like Cliff Notes. Best to avoid reading them if you prefer the pleasure of discovering a novel's storyline as it's revealed by the author.

In its 166 pages, this short novel has a lot on its mind. Readers eager to defend the benefits of unchecked globalization will no doubt take offense at the critique of its impact on lesser developed countries, including Egypt and the rest of the Arab world as represented here by Sun`Allah Ibrahim. Meanwhile, its vision of the individual overwhelmed by social and political forces beyond his understanding applies anywhere dissent is suppressed and might makes right, which can happen even in self-proclaimed "free" societies.

There is plenty of Kafka and some Orwell in these pages, and the narrator's sardonic point of view owes much surely to the author's experience as a political prisoner during the tumultuous years of revolution in his home country. One does not suffer physically and psychologically for one's ideals and look respectfully at those whose chief objectives have been to amass power and wealth at the expense of others. Readers of any political persuasion should find the ironies at the center of this book a thought-provoking challenge to whatever they believe about what it means to be an individual in a binary world where people increasingly show up as survey results, digits on spreadsheets, and numbers in headlines.

4 of 4 people found the following review helpful.
Joins A Distinguished Group
By taking a rest
"The Committee", by Sun Allah Ibrahim joins the work of writers including Franz Kafka, Albert Camus, and Fyodor Dostoevsky. The comparison that is most easily drawn is to Kafka's, "The Trial". While this may be the easiest parallel to draw it suggests this is just a variation on a theme and that would be a disservice to this book and the author.
The unnamed narrator first petitions a committee. This group is made of members we are told virtually nothing about. Our narrator only makes vague references to what a positive decision from this committee would mean to him. Whatever his goal, it must be of great value for during his first audience he is not only queried on his knowledge, his is degraded, pointlessly degraded. The similarities to other writings remain in regard to arbitrary and absolute authority; together with the perversions of thought and justice they produce. Unlike, "The Trial", there is no evidence he stands accused of anything on his initial hearing. The committee after a long delay sets for him yet another task, and when they learn of how he proceeds despite the blockades put before him, the group visits him, with a single member remaining. This shadow is the same individual who so crudely humiliated him before. The treatment again begins with the total invasion of everything that is held private for the individual, with the result that our narrator commits a crime, comes once again before the committee, and receives a surreal sentence.
Throughout this fairly brief work the narrator in his appearances before the group, and in his private thoughts often expounds on his theories with seemingly bizarre examples. What becomes bizarre is that in their way his arguments make sense, and this is after Coca-Cola, peanut farming, cigarettes, anti-depressants, and presidential elections explain his thoughts.
The sentence our anti-hero receives is described by the publisher as a new realm of satiric surrealism. Whether satiric or satanic, the ending is not one you will forget, and you may likely be drawn to read the work of other writers who wanted their subjects to stand firmly in existential space.

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Rabu, 06 April 2011

[P702.Ebook] PDF Download Guide to the Pianist's Repertoire, Fourth Edition (Indiana Repertoire Guides), by Maurice Hinson, Wesley Roberts

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Guide to the Pianist's Repertoire, Fourth Edition (Indiana Repertoire Guides), by Maurice Hinson, Wesley Roberts

Guide to the Pianist’s Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with over 250 new composers, this incomparable resource expertly guides readers to solo piano literature. What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? It’s all here. Featuring information for more than 2,000 composers, the fourth edition includes enhanced indexes. The new "Hinson" will be an indispensable guide for many years to come.

  • Sales Rank: #1207175 in eBooks
  • Published on: 2013-12-03
  • Released on: 2013-12-03
  • Format: Kindle eBook

Review

"[T]his volume, as its predecessors, is excellent for piano teachers planning recitals." ―American Reference Books Annual



"After perusing this comprehensive book, pianists will have a new list of music to learn!" ―American Music Teacher



"Praise for the 3rd Edition:
"[A]n important tool for any pianist or musicologist who wants to explore the piano repertoire. Its thoroughness and scholarly approach are products of the most painstaking research and labors of love." ―Journal of the American Liszt Society

Praise for the 2nd Edition:
"As the reader may already know, Hinson is sui generis! And we owe him renewed thanks." ―The American Music Teacher
"Highly recommended...." ―American Reference Books Annual
"The appearance of the revised and enlarged edition of Guide to the Pianist’s Repertoire is an event to celebrate..." ―Notes
"[S]tuffed with information..." ―The Musical Times
"[A]s a concise reference work, it stands alone...." ―Choice" ―



"The release of any book by Maurice Hinson (this time with co-author Wesley Roberts) is a major event, especially in the piano world. This Fourth Edition of Guide to the Pianist's Repertoire represents an accomplishment of staggering proportion, with over 1200 pages, more than 300 pages longer than the Third Edition. Dr. Hinson describes it as an updated ‘practical listing of the important piano literature,’ but it offers significantly more than that. In addition to the inestimable value of finding little known works, the reader also benefits from the lucid descriptions and practical information about piano music from 1700 to the present. This ‘Guide’ is an extraordinary resource for anyone devoted to the rich repertoire for the piano." ―Nelita True, Eastman School of Music



"The chapter on anthologies and collections will be invaluable to teachers and pianists wishing to explore new musical worlds." ―International Piano



"[T]he latest Hinson/Roberts Guide still remains a necessary resource for pianists, pedagogues, and libraries." ―NOTES: QTLY JRL MUSIC LIB ASSN



"This is an indispensable tool to any piano performer or student desiring to widen their musical horizons." ―La Lettre du Musicien



"This guide by Hinson... has been regarded as the leading English-language reference tool for solo piano literature since it was first published in 1973. Each succeeding edition has expanded in scope and quality.... Highly recommended." ―Choice

About the Author

Maurice Hinson is Senior Professor of Piano at the Southern Baptist Theological Seminary and was founding editor of the Journal of the American Liszt Society.

Wesley Roberts is Professor of Music at Campbellsville University.

Most helpful customer reviews

26 of 29 people found the following review helpful.
A Necessary Reference, But Far Too Many Problems!
By pianophile8
Forty years have elapsed since the first edition of this Guide appeared. One would think that during that time, sufficient opportunities would have been available for a thorough re-examination of its contents--whether for the correction of errors, the addition of previously-omitted composers and works, and for the style and usefulness of the descriptions. To a limited extent this has been done for the new 4th edition, which is some 250 pages larger than its predecessor. Unfortunately far too many problems still remain.

Any reference book is only as useful as what it contains for whatever the user is looking up at the moment. From that standpoint, why are only a few of Beethoven's variation sets and Bagatelles described or listed? No one would insist on descriptions of all 555 Scarlatti Sonatas, but only 15 are singled out for specific mention. Similarly, there is an arbitrary selection of only 19 of Haydn's 50+ Sonatas, and fewer than half of Chopin's nearly 60 Mazurkas. This is standard repertoire where all the individual works ought to be at least briefly covered. The Iberia suite of Albeniz gets an overall mention, but we are told nothing about the 12 substantial, individual pieces within that work. Nor do the 24 Preludes & Fugues of Shostakovich receive anything more than a generalized overall summary.

Among earlier keyboard composers, coverage is hit-or-miss, usually the latter. There's no mention of Sweelinck, for example, and for Byrd, Gibbons, Rameau, both Couperins, Duphly, Chambonnieres and Frescobaldi we get only lists of published editions; anyone seeking a representative sampling of specific works is out of luck. The relative allotment of space for several entries is questionable: why do Messiaen's early, unrepresentative Preludes, for instance, deserve a full page?

Major omissions, especially for 20th-century composers, are far too numerous for a reference book of this type. Fortunately Scott Joplin, Eubie Blake, Jelly Roll Morton and James P. Johnson are included, but by the same token, where are James Scott, Joseph Lamb, Zez Confrey, Dana Suesse, and Billy Mayerl? Nowhere to be found are any of the following, all of whom have had major piano works published, performed and recorded in recent years: Salvatore Martirano, Roxanna Panufnik, Ernst Levy, Earl Wild, Alberic Magnard, Nikolai Roslavets, Ronn Yedidia, Pancho Vladigerov, Ernest Schelling, Oldrich Korte, and Alexis Weissenberg. Other composers who are included receive less than their due: important recent works by Richard Danielpour, David Del Tredici, Stephen Hartke, and Judith Zaimont (among others) are missing, as are Carl Vine's Second and Third Sonatas and his Bagatelles and Preludes, Charles Wuorinen's Third Sonata, Leon Kirchner's Second and Third Sonatas, and Easley Blackwood's Concert Etudes and Sonata.

Most entries include concise descriptions of style characteristics and pianistic requirements. Too many, however, contain outright factual errors. According to the Guide, Bach's Goldberg Variations consist of 32 (not 30) variations! Max Reger is absurdly credited with writing "50-page Fugues." Liszt's etude called "Ab Irato" is said to conclude "with two pages of quiet loveliness" when in fact it hurtles to a violent ending. The timing given for the Dukas Sonata--65 minutes--is at least 25 minutes beyond its usual duration. Sorabji's Sonata No.3 does not last "12 hours" (!?); 90 minutes is more like it. Calling Michael Tippett's Sonata No.2 "mainly lyrical" misses the point of the work entirely. Among misspellings (relatively few), Sergei Bortkiewicz remains "Bortikievich" even after four editions of the Guide.

Too many descriptions border on the naive or sophomoric. There is a reference to "Diabelli's fun theme." We are duly informed that Chopin's Barcarolle is "remarkably successful" (was there ever any doubt?). A Chopin Waltz is said to be "Effective, brilliant, pianistic. Makes a fine effect." Then there are attempts at performance instructions: "Find correct tempo and hold it"; "Do not drag tempo"; "Watch the fp markings." And so on.

The book offers many bibliographical references to articles, dissertations and monographs, but again these are hit or miss. Important recent volumes on Alkan, Busoni, Medtner, Sorabji, Anton Rubinstein, Reger, and Shostakovich are apparently unknown to the authors. The works list for Alkan, incidentally, is still a mess, completely confusing the make-up of his Op.39 Etudes in the Minor Keys.

The general comprehensiveness of the book makes it a necessary reference for pianists and teachers, but only by default (since it really has no competition among English-language piano literature surveys). In light of the many problems throughout (only a few mentioned here), and the four decades that have elapsed since the first edition, it could and should have been much better. Perhaps a Wiki version ought to be prepared for electronic access with the capability of additions and corrections.

0 of 0 people found the following review helpful.
I'll have to opt for the hard copy fifteen pounder...
By Saladnut
I returned the Kindle version of this Book. There is no good way to search the book with Kindle. I have used the notes function to create my own indexes for navigating through the alphabetical structure. But that takes a lot of time. Then I wanted the "notes" for this (and other) books to be synchronized across two or three devices. After "indexing" as far as the T's, my "notes" synchronized, but they synchronized to the device that only had two "notes"-- effectively erasing the notes. I would like to have the book in digital format but the paper hard copy is going to be my better option. Otherwise, I love this book. It isn't perfect; but, the scope is amazing. Sometimes Dr. Hinson's tone is almost coffee-talk casual. But I enjoy those ambiguous shades tone as much as the attempt to be concise, meaningful and "comprehensive".

4 of 6 people found the following review helpful.
Fantastic resource for performer, teacher, and hobbyist pianist.
By 1monkey
I have owned the previous editions of Hinson's guides and used them over and over to find interesting and well crafted pieces that are "off the beaten track." I also love the listings of editions available. The ratings are very helpful, and the scholarship is of the highest quality. I have found pieces to add to my solo recital programs that are wonderful and unique, pieces for my students that are perfect when I am looking for music for small hands or "easy sounds hard." It's also a great guide to the immense world of classical music publishing when the choices seem overwhelming. I appreciate this reference book very much and love this latest edition. Lots of new composers included.

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Minggu, 03 April 2011

[H882.Ebook] Fee Download Pictorial Effect in Photography: Being Hints On Composition and Chiaro-Oscuro for Photographers, by Henry Peach Robinson

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Pictorial Effect in Photography: Being Hints On Composition and Chiaro-Oscuro for Photographers, by Henry Peach Robinson

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

  • Sales Rank: #10459758 in Books
  • Published on: 2010-03-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .44" w x 7.44" l, .83 pounds
  • Binding: Paperback
  • 206 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Fasinating story behind the beginnings of the craft of photgraphy
By Filmmaster 6
this is a must read for any one who wonders about the origins of the rules governing the art of photography.

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